"Let the Right One In" Takes Top Honors at Tribeca Film Festival It is autumn 1981 when the inconceivable comes to Blackeberg, a suburb in Sweden. The body of a teenage boy is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last---revenge for the bullying he endures at school, ...(展开全部)

Wanton youth seen through lush, dreamy, and sweeping watercolors. Rendered in vividwatercolorwhere parquet floors and patterned dresses morph together, "The Wrong Place "revolves around the often absent Robbie, a charismatic lothario of mysterious celebrity who has the run of a city that is as chaotic as it is resplendent. Robbie's sexual energy captivates the attention of men ...(展开全部)

Wanton youth seen through lush, dreamy, and sweeping watercolors. Rendered in vividwatercolorwhere parquet floors and patterned dresses morph together, "The Wrong Place "revolves around the often absent Robbie, a charismatic lothario of mysterious celebrity who has the run of a city that is as chaotic as it is resplendent. Robbie's sexual energy captivates the attention of men ...(展开全部)

To err is human. Yet most of us go through life assuming (and sometimes insisting) that we are right about nearly everything, from the origins of the universe to how to load the dishwasher. If being wrong is so natural, why are we all so bad at imagining that our beliefs could be mistaken, and why do we react to our errors with surprise, denial, defensiveness, and shame? In...(展开全部)

To err is human. Yet most of us go through life assuming (and sometimes insisting) that we are right about nearly everything, from the origins of the universe to how to load the dishwasher. If being wrong is so natural, why are we all so bad at imagining that our beliefs could be mistaken, and why do we react to our errors with surprise, denial, defensiveness, and shame? In...(展开全部)

罗伯特·费希尔是康涅狄格大学社工教授，城市和社区研究的负责人，主要领域在社区研究，有多部著作。

Why philosophize about comedy? What is the use of investigating the comical from philosophical and psychoanalytic perspectives? In The Odd One In, Alenka Zupancic [haceks over both cs] considers how philosophy and psychoanalysis can help us understand the movement and the logic involved in the practice of comedy, and how comedy can help philosophy and psychoanalysis recognize s...(展开全部)

New York Times Bestselling Author. Millions of books sold worldwide! A Life-Changing Tool Millions of People Can’t Stop Talking About What if the key to happiness, success, and love was as simple as two words? If you've ever felt stuck, overwhelmed, or frustrated with where you are, the problem isn't you. The problem is the power you give to other people. Two simple words—Let T...(展开全部)

"The Graham Greene of Uruguay . . . foreshadowing the work of Beckett and Camus."-"The Sunday Telegraph"Medina lives across the river from Santa Maria, a town he is not allowed to enter and therefore wishes to destroy. "Let the Wind Speak" sees Juan Carlos Onetti coming to terms with his exclusion from the Santa Marias of his childhood, his first sexual conquests, his first cig...(展开全部)